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If the new trailer is any indication, the HBO comedy ‘Veep’ may have to consider a name change down the road. The third season of the acclaimed comedy returns on April 6, but in the meantime, fans have gotten a 90-second look-see at what is to come, and it involves a potential presidential run by its titular D.C. politico. The ever-ambitious and often overwhelmed Vice President Selina Meyer, as portrayed by Julia Louis-Dreyfus, is testing out the waters for a campaign for the presidency. As the third season kicks off, Meyer and company have learned that the president won’t be seeking a second term, and so the race is wide open. "You don’t announce the candidacy when the incumbent is warm," warns an advisor. “That’s like…,” well, you can check it out and have a listen. That is to say, it seems we’ve got (maybe) a season long arc on our hands and lots of opportunity for gaffes and missteps. The trailer serves a dual purpose though – it’s not just to tease fans. Cleverly, it introduces any new viewers to the motley crew that is Meyer’s staff, and in the process, the entire show. The trailer is in essence a sit-down conversation between Meyer and a political operative who goes through her staff, one by one, and explains just how incompetent they are. So, if you haven’t been following, you can jump right in. And if you have, hopefully this can hold you over the next few weeks. ‘Veep’ returns for a third season on April 6 at 10/9c on HBO. https://www.youtube.com/watch?feature=player_embedded&v=gy6FpoWhEO0

While the narrative framework is one that immediately questions its own longevity, at least for the first two episodes NBC’s suspenseful drama ‘Crisis’ is serviceable and entertaining, albeit rather unremarkable. In what seems like a story more inclined to a miniseries or anthology treatment, ‘Crisis’ quickly presents the titular chaos that ensues in Washington, D.C., only to very slowly peel back the layers to a complex conspiracy. The cold open, though, tries half-heartedly and fails miserably to put us at what is assumed to be a high tension moment. This "in medias res" beginning, one that is presumably meant to intrigue and befuddle viewers, features two characters that have no idea what is going on, and rather little suspense. So let’s forget that, and just start with what comes next, because that’s far more compelling. A school bus of children – the offspring of affluent D.C. power players and politicos, including the president – gets sidetracked and ambushed. Held at gunpoint by people they (and we) thought could be trusted, the teenagers and their two chaperones, including a seemingly ineffectual Dermot Mulroney (‘Crisis’ makes it clear early on that every just "seem"’ to be something – who knows who’s who?), are knocked out and taken to a nicely-decorated and covert mansion. So ignites the national storm, propelling headstrong and attractive FBI agent Susie Dunn (Rachael Taylor) into action. She is reluctantly paired up with newbie Secret Service agent Marcus Finley (Lance Gross), for he seems (see?) to be the only agent from that department that can be trusted; he also managed to survive being shot during the ambush and flee with a child, so I guess he can be trusted. Dunn and Finley make up the buddy-cop aspect of this fast-paced and very compact thriller, and that is arguably the most enjoyable part. She is determined, no-nonsense, with something lurking in her past, while he is a neophyte on the job and not especially trusted or trustworthy; and I’m sure he has a past. Finley questions everything, and at the same time Dunn can’t help but occasionally question her own judgment as, wait for it, her niece is among the students captured. As you can see, ‘Crisis’ is full of (minor and major) twists, maybe a half dozen or so during the pilot, and while it’s in danger of getting too clever for its own good, at least to start it’s intriguing. The mystery works; there are some genuinely nicely shocking moments as creator Rand Ravich adeptly introduces a slew of characters in the first 10 minutes. The conceit, though, is too on the nose. "How far would you go and what would you do to save your child?" is the phrase the show has promoted, and some of the characters even make a point of saying it. As our two young leads reluctantly, predictably pair up to solve this elaborate case, the attention shifts to the parents who at not-so-random intervals are given assignments from the captors, like send money, or assassinate someone. One of those parents is Meg Fitch, played by Gillian Anderson. She is among those Washington super rich and powerful. She is also Dunn’s estranged sister (see! OK, not a twist). Thus, family drama, mystery, geopolitics, and the aforementioned buddy-cop situation make up this very busy hour-long offering, and while none of the aspects are done poorly, there is nothing that is done particularly great. ‘Crisis’ gets off on the wrong foot, but quickly rights itself, and is worthy of extended viewing. The question you end up asking though isn’t about children, but instead about the livelihood of the show. Surely, this ‘Crisis’ can’t reasonably extend beyond the first season, can it? Perhaps it could follow something like '24,' where each new season is a new fantastical problem. ‘Crisis,’ though, seemed too grounded to go for something so outlandishly entertaining. It seems unlikely too that the future holds a situation from ‘The Killing,’ in which we more intimately follow the two main agents. It matters not, for now, but if things continue to get complex and outrageous, you may be able to figure how long the creators plan to draw out this emergency. If the misplaced opening and the many subversions that follow are any indication, ‘Crisis’ aims to please, even if it’s trying too hard to be a lot of things to a lot of people. ‘Crisis’ premieres on Sunday, March 16 at 10/9c on NBC.

In what is surely a sign of 'Rake's impending trip to the TV cemetery, series regular Necar Zadegan (also recently of The CW's 'Emily Owens M.D.') has signed on for a regular role in Bravo's upcoming relationship dramedy 'Girlfriends' Guide to Divorce.' Created by writer-producer Marti Noxon ('Buffy the Vampire Slayer,' 'Glee'), 'Girlfriends' Guide to Divorce' is Bravo's very first scripted series, and centers on Abby ('House's Lisa Edelstein), a self-help author who publicly hides the fact that she's going through a separation. Abby then embarks on a difficult personal journey, first struggling to reenter the dating scene in her early 40s, then seeking advice from her divorced female friends as to the best way to deal with this life change. The premise is based on the popular 'Girlfriends' Guide' book series by author Vicki Iovine. Zadegan is set to play an outspoken and unorthodox divorce attorney at Lyla's (Janeane Garofalo) law firm. Zadegan's character really wants to represent Abby during her divorce proceedings, and is willing to engage in copious amounts of exaggeration and hyperbole to land the job. While 'Girlfriends' Guide' is technically in "second-position" to Zadegan's 'Rake' commitments, it couldn't be more obvious that the latter show is on life support. Friday's episode earned a meager 0.5 rating in the 18-49 demo, and brought in a total audience of less than two million viewers. 'Girlfriends' Guide to Divorce' has received a 13-episode first season order from Bravo, and is set to debut on the network in 2015.

A script full of twists, a pair of clashing roles, and a plot where no one can really be trusted has made for challenging, compelling work for actors Rachael Taylor and Lance Gross. The two are the leads, initially opposing, of the new NBC drama ‘Crisis,’ set to premiere Sunday night. Taylor is FBI agent Susie Dunn, while Gross portrays Secret Service Agent Marcus Finley; the two are forced to team up together amid a national emergency in this suspenseful drama. “We really tried to create in the pilot a solid foundation of who our characters are and how they behave so that we had a solid basis to operate from,” explained Taylor during a conference call with reporters ahead of the premiere. While it seems like a rather straightforward notion, there was a reason for this concerted effort to understand the characters as much as possible. “It’s a thriller with plenty of twists and turns,” continued Taylor. “Things can exchange on a dime.” The pilot opens with the affluent children of Ballard High, a school that teaches the privileged offspring of Washington D.C.’s political elite (including the president’s son), on a field trip that takes a fateful detour. Stopped in route by armed offenders, the children and two chaperones (including Dermot Mulroney) are abducted and taken to an undisclosed location, igniting the titular panic. “As cast members, we’re reading the scripts, and they’re page turners,” said Gross, joining Taylor on the call. “I like that element of surprise. Of course [showrunner] Rand Ravich gives us enough information to prepare, but it keeps us intrigued as actors." “You never know who to trust, and it’s always exciting.” Those characters of which allegiances are unsure include teachers, politicians, federal agents, and just about everyone you meet in the pilot. "We just accept the information and the given circumstances we have, but I’m excited by the possibilities,” added Taylor. It seems initially that Dunn and Finley are trustworthy (who’s to say, though). Finley is going through his first day on the job when the incident ignites, while Dunn battles a fractured past and deals with her estranged, powerful sister (Gillian Anderson), whose daughter is among the many kidnapped. Both actors made sure to take advantage of any opportunities they could to learn from professionals. “I talked to anyone that I could,” explained Gross, who spent time having conversations with retired Secret Service agents. “I got a lot of information, but of course with their job, there are things they can’t reveal.” Gross undertook fight and gun training, and also found his ‘Crisis’ bible in a book titled 'Standing Next To History: An Agent’s Life Inside the Secret Service' by Joseph Petro. Taylor too solicited help, but also added another layer to her preparation. “I talked to a former female FBI agent, who was super valuable to learn about the conflicts with my character,” said Taylor. “We spoke about the technical aspects of being FBI; what it does to the inner person.” Taylor, who hails from Australia, sought to understand how such a job affects personal and familial relationships, something that comes into play early and often on ‘Crisis.’ As it were, Taylor resisted help from Anderson, who, of course, played an FBI agent across nine years on ‘The X-Files.’ It would seem that Taylor and Gross make up one interesting facet of a show that is about family, about politics, and about thrills. They are the unlikely duo, in a buddy cop situation of sorts, which looks to ultimately drive this drama. “We really are kind of together for the whole season,” said Taylor. “On set, they called us ‘Rance.’ We weren’t really apart for 13 episodes. It’s a very interesting relationship and friendship and professional partnership. I remembered recently where we were shooting a scene in the car, we were talking about the past, and it was a real watershed in terms of our characters.” So Dunn and Finley are teammates, whether or not they like it. Supported by a talented cast, Taylor and Gross form the heart of this sweeping drama that seeks to hold on to heightened suspense for the entire first season, or for however long this crisis plays out. ‘Crisis’ premieres Sunday, March 16 at 10/9c on NBC.

Back in February, we let you know that 'How I Met Your Mother's Alyson Hannigan had signed on to play the female lead in the CBS sitcom pilot 'More Time with Family.' In early March, 'Sopranos' veteran Joe Pantoliano joined the cast. Now, TV mainstay Nancy Lenehan ('How to Be a Gentleman,' 'The New Adventures of Old Christine,' 'My Name is Earl') has signed on to be a series regular as well. 'More Time with Family' is a multi-camera pilot about an overworked husband and father that makes a drastic career change in order to ... spend more time with his family. The title kind of says it all in this particular case. Stand-up comedian Tom Papa penned the script, and will also play male lead character Tom Rizzo. Hannigan will play his wife Cindy. Ben Affleck and Matt Damon serve as executive producers on the project, via their Pearl Street Films production shingle. Lenehan will play Barb, Tom's sweet, somewhat overly protective mother. She'll play opposite Pantoliano, who portrays Stan, Tom's outspoken, old-school father. This sounds like the usual sitcom case of two totally different people that somehow ended up married. Not that opposites don't sometimes attract in real life, it's just a trope that lots of situation comedy writers fall back on. 'More Time with Family' is still in the early development stages, but is very likely to find a spot on CBS' 2014-2015 schedule. The supporting cast also includes Jack Gore ('The Michael J. Fox Show') and Zoe Pessin ('Mike & Molly') as two of the Rizzos' children.

Another leading lady has enlisted on ABC’s anticipated summer drama ‘Astronaut Wives Club’ as ‘House’ alum Odette Annable will join in on the space age action. Set in the 1960s, the period drama tells the real story of the women surrounding famed American male heroes during the peak of the space race. Annable will play Trudy Cooper, the wife of Gordo Cooper, and the youngest of women dubbed "astrowives." She is a self-described tomboy with ambition and aspirations, and is a pilot to her own credit as well. Of course, in the 60s, a young, beautiful woman with such ideas causes waves, and Trudy stirs up drama not only with her husband, but the other wives as well, who is it assumed are content with being wives and mothers. This marks a return to ABC for Annable, who worked previously on ‘October Road’ and ‘Brothers and Sisters.’ The actress also has past credits that include lengthy runs on ‘Breaking In’ and ‘Banshee.’ ‘Astronaut Wives Club’ is led by showrunner Stephanie Savage, who most notably created ‘Gossip Girl,’ and based on the best-selling novel by Lily Koppel. Annable will join the club that already includes JoAnna Garcia Swisher, who will play the wholesome and clairvoyant Betty, as well as Azure Parsons, and Zoe Boyle. The 10-episode drama, which was taken to series less than two weeks after a pilot was ordered, will air later this coming summer.

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