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U.S. Goverment Shuts Down Music Sharing Sites The Department of Justice (DOJ) and Immigration and Customs Enforcement (ICE) appear to be continuing with Operation in Our Sites. In recent days two large music sharing sites, RockDizFile.com and RockDizMusic.com, were taken offline. Their domain names are now pointing to a prominent seizure banner. During the spring of 2010 U.S. authorities started a campaign to take copyright-infringing websites offline. Since then Operation in Our Sites has resulted in thousands of domain name seizures and several arrests. While most of the sites are linked to counterfeit goods, dozens of “pirate” sites have also been targeted. After a period of relative calm the authorities appear to have restarted their efforts with the takedown of two large music sites. RockDizFile.com and RockDizMusic.com, which are connected, now display familiar banners in which ICE takes credit for their demise. “This domain has been seized by ICE- Homeland Security Investigations, pursuant to a seizure warrant issued by a United States District Court under the authority of 18 U.S.C. §§ 981 and 2323,” the banner reads. TorrentFreak contacted ICE yesterday for a comment on the recent activity but we have yet to receive a response. The domain names are now pointing to the same IP-address where many of the previously seized websites, such as torrent-finder.com and channelsurfing.net, are directed. Both domain names previously used Cloudflare and had their NS entries updated earlier this week. Despite the apparent trouble, RockDizFile.com and RockDizMusic.com’s Twitter and Facebook pages have remained silent for days. RockDizMusic presented itself as an index of popular new music. Artists were encouraged to use the site to promote their work, but the site also featured music being shared without permission, including pre-release tracks. RockDizFile used a more classic file-hosting look, but with a 50MB limit it was mostly used for music. The site offered premium accounts to add storage space and remove filesize and bandwidth limitations. Both websites appear to have a strong focus on rap and hip-hop music. This is in line with previous ICE seizures which targeted RapGodFathers.com, RMX4U.com, OnSmash.com and Dajaz1.com. The latter was seized by mistake. The record labels failed to deliver proof of alleged infringements to the authorities and after a long appeal the domain was eventually returned to its owners. This incident and the general lack of due process of ICE’s domain seizures has led to critique from lawmakers and legal scholars. The authorities are nevertheless determined to keep Operation in Our Sites going. “Operation In Our Sites’ enforcement actions involve federal law enforcement investigating and developing evidence to obtain seizure warrants from federal judges,” ICE states on its website. Once a credible lead comes in ICE says it “will work with the U.S. Department of Justice to prosecute, convict, and punish individuals as well as seize website domain names, profits, and other property from IP thieves.” At this point it’s unclear whether ICE has targeted any of the individuals connected to RockDizFile.com and RockDizMusic.com or whether the unit has taken down any other sites in a similar fashion.

Hello Everyone Greetings. Invitation: After long discussion and checking almost all possibilities we decided to bring a dedicated Invitation IRC Channel - #TorrentShack-invite. Yep we heard you, as we always do, please take this as a gift from TSH family during various festivals around the world - Halloween, Diwali... In order to get invitation a user will be interviewed by selected member's team, on successful interview a user will be awarded with an Invitation to TSH family. So buddies pass the word among your friends and the family and line them for long awaited invitation. Donation: It's almost end of month now and still we have reached only 41% of our goal, as you buddies know we only collect what's needed for TSH to run. So every capable member is requested to contribute, so that TSH will run without any interruption. Promotion: Orochi has been very useful to TSH family in many ways, finally he is promoted to a Moderator, our Best of Wishes with him and expect he will keep on doing the good work. Regards. /TSH Staff

New comments from Microsoft CEO Satya Nadella suggest that luring people in with zero-cost products is of great interest to the company. However, while services such as OneDrive are free with premium options by design, Nadella says Microsoft has long had a freemium business model, but one that was forced upon it by pirates. In recent years the freemium business model has gained much traction in many areas from gaming to software services. But while the portmanteau describing the phenomenon is a relatively new addition to our language, the idea behind the business model is not. In the 1980s, those with access to Bulletin Board Systems would download programs and share them with their friends, all with the full encouragement of the softwares creators. Shareware, as it was known, often encouraged users to send off a snail-mailed registration fee in return for a code to unlock premium features. Although basic, freemium had been born. Today the concept has gone way beyond those humble roots. The App Store and Google Play are awash with free-to-play games with premium addons, and services such as Spotify and Dropbox offer decent free levels of service to get users onboard and primed to start parting with real cash. If Joe Public was pressed into a snap judgment, Microsoft would probably be more associated with premium than free, with the company historically charging sizable amounts for its Windows and Office products, for example. However, speaking with CNBC, Microsoft CEO Satya Nadella says that the company has always had an eye on the freemium experience. The idea, the CEO notes, is to get people on board with a product they find useful. Then, when it becomes clear how users are utilizing the service, options to monetize become available alongside their demands for improved service. He uses the companys cloud-storage service as an example. We want everybody to use OneDrive. And then when you are starting to use it for business, thats when we want to monetize. So we do not want to have you only start using us when you have a business license or subscription. We want to have you use us when you just want to save any file or any document, any artifact of yours. And then have a natural way for us to monetize as you use more of it in the commercial context, Nadella explains. By now millions of people online are familiar with freemium in one shape or another but comments from Nadella suggest that while this business model has been leveraged by Microsoft for quite some time, the company had it forced upon them. Well, weve always had freemium. Sometimes our freemium was called piracy, Nadella reveals. [The] thing that I dont want us as a company to shy away from is usage first. Because I think if anything, the new competition has taught is that, you know, what matters is do not try to equate revenue and usage day one. The piracy is promotion angle is something rarely spoken about by company execs, probably in fear of endorsing an illegal activity and validating it in the eyes of piracy proponents. However, by speaking of it alongside freemium, Microsofts CEO appears to have confirmed what many have been saying all along, that getting people on board for free via piracy if necessary is one the first steps on the monetization trail. Indeed, this belief his held so strongly in some quarters that there are some who insist that its preferable for people to pirate the software of company A than switch to the opposition, whether paid or not. That said, what Microsoft does not want is people selling pirated copies of its premium products that kind of promotion is never welcome. If people use a free sample of Microsoft products at home, the company isnt likely to kick down the door. Do the same in a business environment, however, and things arent anywhere near as open-minded. There are no signs that Microsoft is going soft on piracy but as business models change, as they have with Adobes Creative Cloud, free tiers attractive to would-be pirates will become more commonplace. And that can only mean one thing for piracy rates. http://torrentfreak.com/microsoft-weve-always-had-freemium-its-called-piracy-141021/

Sync Stories is a column dedicated to our users. Each week, we showcase a different use case for BitTorrent Sync and the personal stories behind it. In this weeks edition: Professional Photographer Roderique Arisiaman penned a post for DIY Photography on how to use Sync and Crashplan to create a secure and reliable backup system. From Roderique: Backups! We all need them, we hardly make em! Over the years, as a digital artist, I have on occasion lost bodies of work. I lost them when building a new PC, I lost them when my drive crashed, fell, burnt, and I even lost them while watching in horror as I mistakenly said yes to are you sure you want to format drive D?. Data keeps piling up, and to keep everything archived we need at least double the amount of drive space. Luckily I dont do animation anymore so my projects arent that super large anymore, but I have been photographing and editing work for a couple of years now and the data pile keeps growing. Next to that I kept running out of space locally, and kept buying new drives for my Drobo to accommodate my expanding archive. The problem with new drives to store your projects is that you need to copy your data over and over, you get sloppy, you forget projects, you ignore folders, and in the end you lost some precious pictures in the transfer process. Im a creative artist, and even though I have OCD tendencies, I get bored with tedious tasks and mistakes are easily made. I needed a better backup plan to safeguard my body of work, without having to spend too much time on this task. Now there are numerous ways to maintain a backup, but Im going to share one that has been working for me the past few years, and makes me feel secure about my data. Heres my hardware setup: I have a Laptop to carry around and work on. It has all my running projects on it and all my new photos are created on its mere 500 GB drive. At home I have a Mac Mini that works as a home theatre pc under my television. I have a Drobo connected to it, which houses a rough 8 TB of space. This Drobo is seen as a single drive and holds all of my media, from movies, music, and all of my photos, both personal and my professional work. The Drobo is almost hassle-free when it comes to disks dying and replacing disks with newer and bigger ones. But still, it is a piece of hardware that can (and probably will) die on me eventually. On The Fly Backups So how do I get my data from my laptop to my mac mini/Drobo and from there into the cloud, for off-shore backups. For this I use a number of tools. Lets start with data transfer from laptop to mac min/Drobo. I need my pictures folder to always sync back home. Heres where BitTorrent Sync comes in. This little free app runs on both my laptop as on my mac mini/Drobo. On my laptop I just add a folder, in my case my entire Pictures folder. It then asks me if I want the other end to have read permissions or read/write permissions and send links via mail etc. Just leave it and close this dialog.

Several Warez Scene groups have come out of retirement to honor a fallen friend. ZENiTH, SLT, Lz0 and MiDNiGHT all made a unique release over the weekend to pay homage to Goolum, an active and highly valued member of the Scene. ripTo many people the Warez Scene is something mythical or at least hard to comprehend. A group of people at the top of the piracy pyramid. The Scene is known for its aversion to public file-sharing, but nonetheless its in large part responsible for much of the material out there today. The goal of most Scene groups is to be the first to release a certain title, whether thats a film, music or software. While there is some healthy competition The Scene is also a place where lifelong friendships are started. A few days ago, on October 17, the Scene lost Goolum, a well-respected member and friend. Only in his late thirties, he passed away after being part of the Scene for more than a decade. As a cracker Goolum, also known as GLM, was of the more experienced reverse engineers who worked on numerous releases. Through the years Goolum was connected to several groups which are now retired, some for more than a decade. To honor their fallen friend, the groups ZENiTH, Lz0, SLT and MiDNiGHT have made a one-time comeback. Below is an overview of their farewell messages, which honor him for his cracking skills but most of all as a friend. Our thoughts go out to Goolums friends and family. ZENiTH: THUNDERHEAD.ENGINEERING.PYROSIM.V2014.2.RIP.GOOLUM-ZENiTH (NFO) ZENiTH, a group that retired around 2005, mentions Goolums loyalty and the love for his daughter. Goolum has been in and around the scene since the Amiga days but had never been a guy to jump from group to group, but stayed loyal and dedicated to the few groups he was involved in. We are all proud to have been in a group with you, to have spent many a long night sharing knowledge about everything, learning about your daughter who you where very proud of, and all the projects you were involved in. ZENiTHs in memoriam zenith1 Lz0: CEI.Inc.EnSight.Gold.v10.1.1b.Incl.Keygen.RIP.GOOL UM-Lz0 (NFO) Lz0 or LineZer0, split from the Scene last year but many of its members are still actively involved in other roles. The group mentions the hard time Goolum has had due to drug problems. LzO also highlights Goolums love for his daughter, and how proud he was of her. We all knew that he struggled in life not just economical but also on a personal level and not the least with his drug issues. One of the things that kept him going was his wonderful daughter whom he cherished a lot. He often talked about her, and how proud of her he was. He was clear that if there was one thing in life he was proud of it was that he became the dad of a wonderful girl. Were shocked that when finally things started to move in the right direction, that we would receive the news about his death. It came without warning and we can only imagine the shock of his family. Its hard to find the right words or words for that matter. Even though it might have appeared as that he was lonely with few friends, he knew that we were just a keyboard away. Lz0′s in memoriam Lz0mem SLT: PROTEUS.ENGINEERING.FASTSHIP.V6.1.30.1.RIP.GOOLUM-SLT (NFO) SLT or SOLiTUDE has been retired since 2000 but returns to remember Goolum. The group notes that he will be dearly missed. You will be missed. It is not easy to say goodbye to someone who you have known for over a decade, trading banter, laughs, advice and stories. You leave behind a daughter, a family and a group of friends, who will miss you dearly. As the news have spread, the kind words have poured in. Solitude is releasing this in honor of you, to show that the values we founded the group on is the exact values you demonstrated through your decades of being in the scene. Loyalty, friendship and hard work. Our thoughts are with you, wherever you may be. SLTs in memoriam SLT MiDNiGHT: POINTWISE_V17.2.R2_RIP_GOOLUM-MIDNIGHT (NFO) MiDNiGHT hasnt been active for nearly a decade but have also honored Goolum with a comeback. The group mentions that he was a great friend who was always in for a chat and a beer. Life wont ever be the same again my friend. We could sit and chat for hours and hours, and even then we knew each other well enough that nothing more was required than a beer, a rant and a small *yarr* and wed know it would all be good. This time its not good mate. I am here, you are not. I cant even begin to express how this makes me feel except an absolute sadness. MiDNiGHTs in memoriam http://torrentfreak.com/retired-scene-groups-return-to-honor-fallen-member-141021/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:%20Torrentfreak%20%28Torrentfreak%29

The studio behind the Oscar-winning movie Dallas Buyers Club has initiated legal action to extract cash payments from Australian pirates who obtained the movie using BitTorrent. Perhaps surprisingly one of the ISPs targeted is iiNet, a company that takes a particularly dim view of this kind of activity and one that has already indicated it will put up a fight. Much to the disappointment of owner Voltage Pictures, early January 2013 a restricted DVD Screener copy of the hit movie Dallas Buyers Club leaked online. The movie was quickly downloaded by tens of thousands but barely a month later, Voltage was plotting revenge. In a lawsuit filed in the Southern District of Texas, Voltage sought to identify illegal downloaders of the movie by providing the IP addresses of Internet subscribers to the court. Their aim to scare those individuals into making cash settlements to make supposed lawsuits disappear. Now, in the most significant development of the trolling model in recent times, Dallas Buyers Club LLC are trying to expand their project into Australia. Interestingly the studio has chosen to take on subscribers of the one ISP that was absolutely guaranteed to put up a fight. iiNet is Australias second largest ISP and the countrys leading expert when it comes to fighting off aggressive rightsholders. In 2012 the ISP defeated Hollywood in one of the longest piracy battles ever seen and the company says it will defend its subscribers in this case too. Chief Regulatory Officer Steve Dalby says that Dallas Buyers Club LLC (DBCLLC) recently applied to the Federal Court to have iiNet and other local ISPs reveal the identities of people they say have downloaded and/or shared their movie without permission. According to court documents seen by TorrentFreak the other ISPs involved are Wideband Networks Pty Ltd, Internode Pty Ltd, Dodo Services Pty Ltd, Amnet Broadband Pty Ltd and Adam Internet Pty Ltd. Although the stance of the other ISPs hasnt yet been made public, DBCLLC arent going to get an easy ride. iiNet (which also owns Internode and Adam) says it will oppose the application for discovery. iiNet would never disclose customer details to a third party, such as movie studio, unless ordered to do so by a court. We take seriously both our customers privacy and our legal obligations, Dalby says. While underlining that the company does not condone copyright infringement, news of Dallas Buyers Club / Voltage Pictures modus operandi has evidently reached iiNet, and the ISP is ready for them. It might seem reasonable for a movie studio to ask us for the identity of those they suspect are infringing their copyright. Yet, this would only make sense if the movie studio intended to use this information fairly, including to allow the alleged infringer their day in court, in order to argue their case, Dalby says. In this case, we have serious concerns about Dallas Buyers Clubs intentions. We are concerned that our customers will be unfairly targeted to settle any claims out of court using a practice called speculative invoicing. The term speculative invoicing was coined in the UK in response to the activities of companies including the now defunct ACS:Law, which involved extracting cash settlements from alleged infringers (via mailed invoices) and deterring them from having their say in court. Once the scheme was opened up to legal scrutiny it completely fell apart. Some of the flaws found to exist in both UK and US troll cases are cited by iiNet, including intimidation of subscribers via excessive claims for damages. The ISP also details the limitations of IP address-based evidence when it comes to identifying infringers due to shared household connections and open wifi scenarios. Because Australian courts have not tested these cases, any threat by rights holders, premised on the outcome of a successful copyright infringement action, would be speculative, Dalby adds. The Chief Regulatory Officer says that since iiNet has opposed the action for discovery the Federal Court will now be asked to decide whether iiNet should hand over subscriber identities to DBCLLC. A hearing on that matter is expected early next year and it will be an important event. While a win for iiNet would mean a setback for rightsholders plotting similar action, victory for DBCLLC will almost certainly lead to others following in their footsteps. For an idea of what Australians could face in this latter scenario, in the United States the company demands payment of up to US$7,000 (AUS$8,000) per infringement. http://torrentfreak.com/australians-face-fines-for-downloading-pirate-movies-141022/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Torrentfreak+%28Torrentfreak%29

Apparently our ISP is experiencing some localized routing issues with certain links not working as intended. The problem mainly influences routing at home (Poland), but may influence also certain foreign users. If you're experiencing any problems with accessing the Site or having your torrents properly seeded, simply bare with us. The issue is said to go away soon enough. Thanks!