Tracker Name : Bemaniso.ws Tracker URL : https://bemaniso.ws/ Tracker Type : General Signup URL : Closed/ Invite only About: Bemaniso is a most popular Bemani (or G.M.D.) tracker. It's a Gazelle tracker. The community is very active and like minded. Content and speed is awesome. Most guys are equipped with seedboxes and all bemani content is available (only mainstream) on Bemaniso. And, Bemaniso's forum is very active and invite thread on forum is quite active too. Many hard to get into tracker could be found in Bemaniso's invite thread but getting Bemaniso's invite itself is very difficult. It's hard to get but not the hardest. Logo: Stats: Categories: Homepage: Browse (Top 10): Browse: Collages: Request: Forum: Final Comment: Bemeniso is must have tracker for bemani lovers. Probably the only one. Content, speed and community is very active and it's a recommended tracker to all like-minders. Speed: 8/10 Content: 9/10 Community: 8/10 Ratio Type: Medium Recommended: Yes

Tracker Name : BrokenStones Tracker URL : https://brokenstones.me/login.php Tracker Type : Others Signup URL : Closed About: BrokenStones (BS) is a semi dedicated tracker for Apple products (mainly Mac). Why it is 'semi' because apart of Apple products (ios/mac etc) BS also hosts tons of 'other' stuff viz. eLearning, Audiobooks, eBooks and Graphics (plugins etc). BS is based on Gazalle code so it is neatly designed and maintained. The community, speed and content is awesome not to mention in every categories. Being 'not-a-Apple' consumer I use BS as an eLearning tracker. The elearning stuff here is hard to see anywhere else. And, If I discus BS's dedicted genre i.e. Apple products than It is a must have tracker for Apple consumers. From Apps to themes and Games to plugins you can get (almost) anything here. Logo: Stats: Categories: Homepage: IRC Browse: Request Section: Forum: Final Comment: Finally it is a MUST HAVE tracker for Apple consumer and also a most recomended tracker for others. The community, Speed and content is something which won't let you down. Speed: 8/10 Content: 9/10 Community: 9/10 Ratio Type: Medium Recommended: Yes

1 X SocietyGlitch Invite GA Review: Rules: DO NOT PM me Apply Here Add Like + Thanx And, Tell me Why you want to be on SG.

Tracker Name : SocietyGlitch Tracker URL : http://stalker.societyglitch.com/index.php Tracker Type : Other Signup URL : http://stalker.societyglitch.com/signup.php About: SocietyGlitch (SG) is very rare and closed door tracker specialized in "Miscellaneous" content. The content is something similar to obscure porn movie or any weird (and flop) commercial movie etc. The sole purpose of this tracker is to build a community that discusses (and share) the stuff which most people don't think worthy to share otherwise. Logo: Tracker Stats: Categories: Browse: Upload Section: SG Forum: Final Comment: SG community is very weird community though a small in number but good in content (how much they have). It is good and recommended tracker who look for weird stuff. They are somewhere similar or somewhere more strange then CinemaGeddon but in many categories. Community is growing and getting invite is not difficult. Speed: 7/10 Content: 8/10 Community: 9/10 Ratio Type: Medium Recommended: Yes

FTN is down since few months.

If The Pirate Bay Comes Back, It’ll Be With A ‘Bang You might have heard last week that popular torrent website The Pirate Bay went offline following a raid by Swedish Police. Since then the website has been resurrected unofficially by another torrent website, and multiple clones have gone online as well. In its first public conversation since the raid, the team behind The Pirate Bay says it’s unsure if the website will be rebooted, but if it is, it will be with a “bang.” There’s no doubt that many people have started wondering if and when The Pirate Bay will come back. It was the most popular file sharing website in the world of its kind so obviously the impact was felt by users, even though it didn’t really slow down torrent usage at all. Even though it was the most popular, TPB wasn’t the only torrent website out there. Many existed before it was taken down and many will come online after it is long gone, its not like the takedown has had any impact on illegal file sharing which certainly irks copyright holders. If one were to ask when The Pirate Bay would come online again, then there’s really no correct answer, because its simply not clear at this point in time. “Will we reboot? We don’t know yet,” says the team, so keep your fingers crossed if you want the TPB up and running again. http://www.ubergizmo.com/2014/12/if-the-pirate-bay-comes-back-itll-be-with-a-bang/

Shawn Vulliez: Don’t let The Pirate Bay die IN TRAVIS MCCREA’S commentary “Let the Pirate Bay Die”, he makes a number of points that I agree with. Other filesharing sites are great. Pornographic banner ads are annoying without adblock. The Pirate Bay is a cultural icon and symbol. But his central point is dead wrong and poorly argued. There is nothing righteous about The Pirate Bay being shut down. Losing a cultural icon that is defined by its resilience to the encroaching influence of American industry is not something to celebrate. Allowing The Pirate Bay to die is contrary to the ideals of the filesharing movement. More available information is good. Less available information is bad. Taking down TPB unequivocally means less available information. How can we defend this in good conscience? I will remind you that The Pirate Bay risks being politically shut down by out-of-touch bureaucratic authorities, not death by obsolescence. There is no competing Pirate Bay killer that has eclipsed it in terms of content and ease of access. A public resource is under assault by a political culture that values American corporations over individuals. This is not an open market of ideas deciding that The Pirate Bay no longer has value. It is a cabal of protectionist insiders abusing the legal system to make it harder for working class people to access information. The recent shutdown of TPB was a political act. It was not an outdated business model or technology failing. To say that The Pirate Bay has never evolved since it’s inception is to plainly ignore the truth: TPB has shown throughout its history that it can evolve far faster than the bureaucrats that would try to stop it. In 2012, TPB unofficially changed its name to “The Promo Bay” and began to promote independent artists—standing up to the copyright monopoly’s public relations narrative that filesharing hurts struggling musicians. In this act of evolution and resistance, they showed that the people being hurt were American megacorporations and the copyright industry. The sharing culture of the Internet was actually good for artists. Every time The Pirate Bay has been taken down, faced a legal challenge, or had to adapt to changing legal and political climates, it has evolved and thrived in the face of adversity. There is a reason that it’s earned the nickname “The Hydra Bay”—if you cut off one head, two grow in its place. Since The Pirate Bay’s servers were taken down by Swedish authorities last week we have indeed again seen the rise of two replacements—one hosted by Vancouver’s ownIsohunt. This is really the only adaptability that has been required of TPB, and its success exemplifies the technical evolutionary acumen that McCrea claimed the website does not have. The Pirate Bay is both a public resource and an icon. To allow it to die is to extinguish access to thousands of files that are in the public interest to access. This crucially includes numerous political documentaries and thousands of hard-to-find ebooks on topics that are important to the next phase of human society in the information age. such as environmentalism, political theory, and economics. There are certainly other sources of this information, but why enforce an artificial scarcity at the behest of rent-seeking private corporations? As a cultural icon: the unflinching determination of The Pirate Bay to adapt in the face of adversity and persevere is a role model to all businesspeople, activists, and freedom-fighters. As a resource: The Pirate Bay is an archive of modern human culture that removes all classist paywalls, transcends all borders, and effectively functions as an efficient global library. McCrea’s call for The Pirate Bay to be allowed to die because it does not evolve is a call for The Pirate Bay to stop evolving. We will not unplug The Pirate Bay for the guardians of the old world. We will continue to seed and multiply. Shawn Vulliez is a former leader of the Pirate Party of Canada. He hosts a weekly podcast about opinion, conflict resolution, and laughing at yourself and others. As of this writing, he still has faith in humanity.

Why it’s so hard to kill the Pirate Bay The notorious file sharing search site Pirate Bay has been offline since it was raided by Swedish police last week. But a limited archive of the site's content has already reappeared as "oldpiratebay.org," a site created by fans who had previously revived a version of a similar site, isoHunt. It many ways, it seems like law enforcement is playing a futile game of whack-a-mole with file sharing sites, which often have fervent online followings even as they are accused of assisting in large-scale consumer piracy of copyrighted works: Taking one site down just causes new imitators to crop up around the Web. But to understand the hydra-like nature of this particular kind of site, things can get a little technical. Both Pirate Bay and isoHunt started out as sites that indexed torrents -- a file format associated with peer-to-peer file sharing protocol BitTorrent, which allows users to download files while simultaneously sharing the data with other users. Torrents are particularly popular among people who want to download large files like movies or video games because it distributes the bandwidth for doing so across many users. But in recent years many sites, including Pirate Bay, moved away from hosting actual torrent files and started using magnet links instead. Magnet links are not files you have to download -- they are links that include information that can help a user's BitTorrent client identify the correct torrent by its content. The shift to magnet links had very clear benefits for Torrent sites: They didn't have to store any files at all. This gave them a little bit of plausible deniability if they were accused of hosting material that could be used to share copyrighted files. But it also meant that the actual amount of data they had to keep online was much, much smaller. A smaller archive eases hosting costs and makes the underlying infrastructure much more portable. In 2012, file sharing-focused news siteTorrentFreak reported that a user had created a text copy of the Pirate Bay magnet link archive that fit nicely into a 90-megabyte zipped file -- small enough to put on a modest USB stick. It's unclear when the data used to create the resurrected "Old Pirate Bay" was archived. But the people behind it have some experience with re-creating popular torrent sites. The original isoHunt was taken offline last year after years of battling a lawsuit from the Motion Picture Association of America; a settlement was struck that included $110 million worth of payments and the shuttering of the site. But within two weeks of that settlement, a clone showing the same visual layout and linking to much of the old site's archives appeared online. This new isoHunt has now become the de facto successor to the dead original. And the re-creators seem intent on keeping the Pirate Bay's spirit alive, as well. "We, the Isohunt.to team, copied the base of the PirateBay in order to save it to the generations of users. Nothing will be forgotten," the site runners said in a blog post, although they said they would take it down if or when the original Pirate Bay is restored.

The Pirate Bay Sinks, But Piracy Sails On It isn’t often that the Swedish police have an opportunity to make world headlines, but that’s exactly what happened on Dec. 9 when they raided a server room in Stockholm and forced the notorious file-sharing network known as the Pirate Bay offline. What’s surprising isn’t that this happened — the Pirate Bay and its founders have been under constant legal attack for years, a thorn in the side of major copyright owners who have spent the digital era siccing their lawyers on each in a seemingly never-ending series of holes in the intellectual property dike — but that it was greeted with the equivalent of a shrug or a raised eyebrow. This raid came almost 15 years to the day after the RIAA filed a federal copyright infringement suit against Napster, sparking a heated (and still ongoing) debate over whether sharing copyrighted work is, or should be, a crime. That argument has become so ingrained in modern entertainment consumption that it’s almost not even there; when we talk about sales figures for new albums, it’s almost always with the caveat that they’ve been lowered by piracy. We all know search engines and YouTube can be used to obtain pirated content, just as we know file-sharing wasn’t curbed by Napster’s defeat; like the fall of the Soviet Union, it simply took one perceived enemy and splintered it into countless others. The entertainment industry was roundly criticized during the late ’90s and early aughts for its dunderheaded response to file-sharing technology, and corporate execs’ seeming belief that the technological genie could somehow be stuffed back into the bottle. The battle to criminalize copyright circumvention clearly isn’t over, as evidenced by the attack on the Pirate Bay, but just as we’ve all learned to find content in the post-Napster era, the industry has learned a few lessons of its own — and the proof of its occasionally quite successful efforts to adapt to life after file-sharing is reflected in the rather blasé reaction to the Pirate Bay’s demise. It’s definitely worth noting that many people no longer raise a fuss about a file-sharing network biting the dust partly because we’ve seen this happen so many times before, and as much as veteran scofflaws might mourn the loss of their favorite service (pouring one out for Audiogalaxy over here), we know there are always other places to look, other ways to obtain that out-of-print record or lost season of a favorite show. It isn’t that big of a deal anymore; like any kid, we know you never really win a game of whack-a-mole, and the one copyright holders are playing against the internet stands to go on for the foreseeable future. But that isn’t the only reason people seem to have largely stopped fretting about the ups and downs of the larger file-sharing networks. Another — and arguably bigger — reason is that, as argued a couple of paragraphs previous, the entertainment industry adapted in Napster’s wake; savvier than they initially seemed, they realized that file-sharing wasn’t only about the illicit thrill of getting something for free, it was also about power — specifically, the power to access content on the consumer’s terms. It seems like several lifetimes ago, but really, until fairly recently, the company that owned whatever piece of entertainment you were watching/reading/listening to got to dictate the ways in which — and often when — you were able to do so. This verges on the kind of rant parents give ungrateful kids, but it’s true: If you wanted to watch a television show, you had to either have your butt on the couch when it aired or, during the ’80s and ’90s, you had to program your VCR to the appropriate time and hope nothing went awry. You couldn’t own a thousand books unless you had the shelf space; you couldn’t “just listen” to an album unless you owned it (or unless the late-night DJ at your local freeform FM outpost got really stoned). There were gateways, and they were mostly impermeable. File-sharing, in a way, was a sharp yank in the consumer’s direction during the long tug-of-war between content owners and content buyers. No small amount of major multi-platinum new releases have been burgled since Napster’s rise, but this technology has also been a boon for the sort of stuff that was once routinely filed away and forgotten by major studios — flop albums, cult classic films; dribs and drabs of cultural flotsam and jetsam that people who love art tend to remember fondly and wish they could experience again. If you’ve trolled Blogspot for out-of-print records and white label mixes, or combed torrent sites for cult classic films, you understand the impulse. The industry, while kicking and screaming against copyright evildoers in press and the courts, has tacitly acknowledged this over the last 15 years — partly by rolling back industry standard prices on catalog media, and partly by rejiggering their distribution methods to accommodate the amazing convenience of sitting at one’s desk and searching for and instantly downloading whatever you want. Netflix, Hulu, Amazon’s MP3 and Instant Video stores, iTunes, Spotify, et cetera — they all sprung from the breeding ground of the illicit file-sharing networks that helped upend the old industry paradigm. Where these companies were once confident in their ability to make you come to their content, they’re now slobbering all over themselves to make it as cheap and easy as possible for you to bathe yourself in the gushing fountain of assets they’re streaming out of their vaults. What’s troublesome about every last one of these cheap, convenient legal methods — as any ardent vinyl enthusiast will happily tell you — is that they’re based on the passive illusion of ownership rather than the real thing. Movies come and go from Netflix all the time; Taylor Swift (and a lot of other artists) give and take digital rights to their catalogs on a regular basis; Kindle owners (should) understand that the content they’ve purchased is subject to parent companies’ whims. Access to owning entertainment used to be a lot more expensive, but you could count on keeping it when you were done; these days, you can gorge on music all day and binge-watch TV series all night, but you never know when those titles are going to vanish from your queue. And that’s where sites like the Pirate Bay still serve a purpose, albeit one that’s shrouded in illegality and smothered in a distasteful willingness to thieve under the banner of “internet freedom.” It doesn’t always seem like it, given how bombarded we all are with new releases and deluxe reissues, but there really is quite a lot of stuff out there that’s unavailable for whatever reason, and as we continue to migrate away from physical media, we’re drifting back into the same type of walled garden that Napster helped irrevocably alter. This is not to say that piracy isn’t a problem, or to give those who share and download copyrighted material a free pass. It does, however, mean that while the entertainment industry’s taken some major strides in its approach to licensing and catalog management, there still exists a tension between copyright holders and consumers — and a need for those who preserve access to art, perhaps even against the wishes of those who own legal rights to it. In the meantime, make no mistake, it’s still very much business as usual for file-sharers — in fact, as of this writing, the Pirate Bay is (unofficially) back online. But as surely as widespread piracy continues to sail on, the industry will just as surely continue to evolve. Fifteen years ago, those of us watching the Napster saga unfold could scarcely have imagined the digital landscape we inhabit today; perhaps 15 years from now, we’ll have made even greater leaps toward fairer solutions for consumers, rights holders, and — most especially — artists.

Tracker Name : Bitleechers Signup Link : https://www.bitleechers.me/account-signup.php Genre : Gen Closing Date : NA Additional Information : Ratioless

Tracker Name : Elbitz.net Signup Link : http://elbitz.net/signup.php Genre : Closing Date : Additional Information : eLearning

Demonoid Changed Its Domain Name Again One of the oldest torrent trackers, Demonoid, has been fighting for its place in the sun over many years. Now the semi-private BitTorrent tracker has changed its .ph domain name for the Palau-based .pw. The operators of the service have yet to officially announce the change, which will help to improve the Demonoid’s availability on the Internet. Earlier this year, Demonoid returned after almost 2 years of downtime, which began after a DDoS attack and legal troubles in its home country, Ukraine. Since then the tracker has been rebuilding its community and now accounts for millions of monthly visitors, which makes it one of the largest BitTorrent trackers on the Internet once again. Copyright holders are still trying to obstruct the Demonoid’s growth, and the site is currently plagued by blocking requests from them. Back in November, Italian Internet service providers blocked Demonoid. In addition, a few days ago major broadband providers in the United Kingdom were requested to do the same. Moreover, the ranking of the site in Google search results has significantly diminished: if you search for “demonoid”, you will see a Wikipedia entry as the top result, because the Demonoid.ph was removed from the Google search results following a takedown notice. In respond, Demonoid switched domain names. Now it is redirecting.ph domain to demonoid.pw. The .pw domain was registered just a few days ago, following the reports of the UK court orders to block the tracker. However, it should be noted that the effects of such move will be limited: while it is easy to circumvent bans in Italy with a new domain, UK providers are usually quick to update their blacklists.

Following last week's raid on The Pirate Bay many sites appeared claiming to have brought the site back to life. While that was to be expected, the site that has gained the most traction is now deliberately lying to the press and faking user uploads to give the impression that leading uploaders support them. The Pirate Bay was without doubt the most iconic BitTorrent site in history before it was abruptly shutdown last week following a raid on a Swedish datacenter. Even today it seems strange talking about The Pirate Bay in the past tense. Many believe it’s simply a question of time before the site reappears but for others any amount of time is too long to wait. Within days, many replicas of The Pirate Bay appeared online, each trying to recreate the look and feel of the old site. While some, such as the isoHunt.to domain oldpiratebay.org, made it clear that they’re a copy of the iconic site, others are flat-out lying by pretending to be the real deal. The worst offender by far is ThePirateBay.cr. Thanks to several mainstream news outlets posting uninformed articles in the days following the raid, millions of people now believe that this site is the real deal. Admittedly, that’s not the site’s fault, but that traction is adding weight to their current campaign which involves impersonating Pirate Bay operators and lying to the media. In an email sent to out to the mainstream press, ThePirateBay.cr identify themselves as “winstonbay”, a name that has been used by genuine Pirate Bay staff in the past. By carefully weaving some fact into their press release (thanks to Emil Protalinski for the copy), their aim is to mislead. “Most of our cloud servers including load balancer are shut down except one in NZ. TPB is back and already running at thepiratebay.cr which used to be an official proxy previously,” the release reads. Referencing an earlier article on TF in which we pointed out that .CR was redirecting to another domain charging users for access, the release again blends truth and lies. “Redirection to .ee – scam site running from long time was due to technical fault while DNS propagation which was cached by server. Comments & normal user login (VIP users allowed access) are disabled currently due to excessive load.” Enter your TPB VIP username and password here – at your perilcr-login The fact the site brings up user registrations is interesting since their existence offers a straightforward test to determine whether a site is a clone of The Pirate Bay or not. Quite simply, clone sites do not have the millions of user accounts The Pirate Bay used to have, neither do they have associated user comments under torrents. While ThePirateBay.cr tries to explain this away by saying accounts have been disabled due to server load, they also have another trick up their sleeve. New torrents being added to the site now show names of popular uploaders. However, as pointed out by ExtraTorrent.cc, these are not being uploaded by the people in question. “None of the torrents are actually uploaded by ETTV of ExtraTorrent and we didn’t log in or sign up to that site,” ExtraTorrent told TF. Fake user accounts on ThePirateBay.crfake-cr “This is them making their own bot to grab our torrents but the funny thing is that they made accounts [in our names] and are fooling members that we are uploading there. They are trying to make it look more legit so users go there.” Other user accounts recreated on the site include SaM and Juggs of ETRG, YIFY, EZTV, scene4all and BOZX, previously one of The Pirate Bay’s most popular uploaders. While people might argue that having as many Pirate Bay’s as possible is a great thing, sites like this are problematic. There have been attempts to mislead right from the very start and the recent mails to the press just make matters worse. It’s now impossible to determine the nature of their intentions but the lies aren’t a good start. Add to that the very real possibility that former TPB users (VIPs no less) might enter their usernames and passwords into this site and there’s a very real possibility of account hijacks should the original site come back online. If they use the same username and passwords elsewhere, things will go bad a lot sooner.

Tracker Name : eBook.Farm Tracker URL : https://ebook.farm/ Tracker Type : eLearning Signup URL : Closed/ Invite only About: ebookfarm is NOT a tracker it is kind of Amazon service but for pirates. Here you can buy books for much cheaper prices as compared to Amazon and B&N. All are DRM free and they do have extensive collection of database as well. There request section is also very active. The back-end of ebookfarm is different than general closed door communities. You'll less likely to talk to any staff member of ebookfarm and the best usage of this underground service is for only premium users. As for free users the account life is only one month; if within one month of account user DO NOT buy anything and account will get disabled. And, it has many fee books as well but for free users speed is limited and so are the books. Logo: Homepage: Pay Methods: Format Conversion: Request Section: Browse: Final Comment: ebookFarm is good premium service for finding good books. Getting invite is not a big deal; they keep open every month or so. And the books are widely available of US market so If you are not US citizen than do not bother to find your countries' best sellers there, you may not find them. Overall a good service but not a worth for 'free' users. Since it's a service not a tracker so I am not going to rate it anyway.

Tracker Name : AnimeBytes Tracker URL : https://animebytes.tv/ Tracker Type : Anime Signup URL : Invite only/ Closed About: AnimeBytes is Japanese highly modified gazelle tracker specialized in Anime and related stuff. The quality and community is equally awesome. On AB every type of Anime e.g. T.V shows, Movies, Music Albums etc. could be found and the forum is also very active. They have some internal encoders as well and speed is Awesome and torrent doesn't die early due to seedbox users. Content: Anime only; T.V shows, Movies, Books, OST (related), Japanese Music, Hentai, Sex Games etc. etc. Logo: Stats: Home Page: Rules: Uploading Torrent: AnimeBytes Wiki: AnimeBytes Projects: Browse: Request Section: Final Comment: AnimeByte is a must have tracker for Manga lovers and getting into AnimeBytes ain't difficult. Maintaing ratio and account is medium. So it is recommended tracker for like minders. Speed: 9/10 Content: 8/10 Community: 8/10 Ratio Type: Medium Recommended: Yes

Donation collection time is real soon now. We will get something put together and announce as soon as its up. Thanks for your continued support!

Brief downtime tomorrow There will be a few hours of downtime for us to perform regular maintenance tomorrow, 13 December, starting at approximately 1900 GMT. IRC will remain available the entire time.

Lots of users still do not have a bonus ball number so are missing out on 1000 free points per week, go to http://redemption.pw/index.php?page=...63&pages=1 choose a free number and pm your choice to ROBBO. Dont forget if your ratio is low tune into radio you get points for that and Sunday nights quiz is a easy way to get points,as its almost christmas anyone joining in on the quiz will get bonus points just for entering quiz is 9pm sunday night UK time. Join in all on Redemption http://redemption.pw/index.php have fun and all have a Happy Christmas :)

Last week the popular media search engine FilesTube transformed itself into a licensed video aggregator. The site, which was once branded one of the top pirate sites by the entertainment industry, hopes that the move will bring in new revenue opportunities. First, however, the site had to get rid of various remnants from its “pirate” history. The site is still blocked in the UK, for example, as the High Court previously declared that FilesTube infringed music rights. Earlier, FilesTube informed TF that it planned to challenge the blockade at the High Court, but it turns out that this is no longer needed. Music industry group BPI, who were the driving force behind FilesTube’s blockade, followed recent developments and decided to unblock the site. This is the first time that the list of blocked pirate sites in the UK has become shorter, although it may not be for long. The BPI believes that FilesTube is a good example of how High Court orders can motivate websites to go legit and hopes that others will follow the example. “We are pleased that the block has encouraged FilesTube to change its business model so that it no longer appears to infringe music rights,” BPI’s General Counsel Kiaron Whitehead tells TF. “Accordingly, we have agreed to un-block the site, which the ISPs will implement over the next few weeks. We hope that other sites which are subject to blocking orders will follow suit and help to support the development of legal digital entertainment.” TF also spoke with FilesTube, who are happy with BPI’s swift response. Since the music group can amend the blocklists without a court order, this saves the trouble of going through court. “We used to be a media search engine for content on cyberlocker sites. Now we operate as a free VOD aggregator with licensed content only. We are grateful to BPI for agreeing to lift the blocks and we look forward to the growth of the new FilesTube,” a spokesperson informed TF. In addition to the lifted blockade, FilesTube’s Facebook page was also unblocked recently. The page was taken down by the movie industry FACT, but is now accessible again. Meanwhile, many of FilesTube’s former users are disappointed with the change. Apparently “going legit” also has its downsides, but the site hopes to rebuild a new community during the months to come.

Awesome Start buddy. Keep up. Like + Rep added.

Welcome Aboard. :)

Tracker Name : D3sim Signup Link : http://d3sim.com/index.php?page=account Genre : Gen Closing Date : Additional Information : Bollywood Tracker

Tracker Name : Torrent.by Signup Link : http://torrent.by/account-signup.php Genre : Gen Closing Date : NA Additional Information : Biggest Belarus' tracker

Tracker Name : Cheggit.me Signup Link : http://www.cheggit.me/register.php Genre : XXX Closing Date : NA Additional Information :

It offers very very less price then Amazon, B&N etc. And No DRM. What's else you want anyways? And, it is Legit. Give it a try once. Don't share your Credentials use bitCoins. And see.