Every week we take a close look at the most pirated movies on torrent sites. What are pirates downloading? 'The Tax Collector' tops the chart, followed by ‘The Secret Garden'. 'Greyhound' completes the top three. The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. These torrent download statistics are meant to provide further insight into the piracy trends. All data are gathered from public resources. This week we have four new entries in the list. The American war movie The Tax Collector is the most downloaded title this week, again. The film, starring Shia LaBeouf, was released last week and was also the most-rented film on legal services over the past weekend. The most torrented movies for the week ending on August 10 are: Movie RankRank last weekMovie nameIMDb Rating / Trailer Most downloaded movies via torrent sites 1(…)Tax Collector 4.7 / trailer 2(…)The Secret Garden 5.4 / trailer 3(1)Greyhound 7.1 / trailer 4(…)An American Pickle 5.8 / trailer 5(…)Waiting for the Barbarians 5.9 / trailer 6(3)The Old Guard 6.7 / trailer 7(4)Deep Blue Sea 3 4.6 / trailer 8(2)The Kissing Booth 2 6.1 / trailer 9(5)Coma 6.4 / trailer 10(6)Black is King 5.7 / trailer

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Hermione Corfield and Babou Ceesay star in Showtime's cat-and-mouse thriller about a pair of London killers on the lam. The first kill on the new Showtime mystery We Hunt Together is a no-brainer. The victim, who dies instantly by a knife thrust into the base of his skull, is a would-be rapist who, were he to survive the night, would have gotten Baba (Dipo Ola), a former child soldier waiting for British immigration officials to grant him asylum, deported back to the Democratic Republic of the Congo. Each subsequent murder, though, gets harder to justify. That's one of the few ways that We Hunt Together maintains its narrative momentum, which is frequently undercut by writer Gaby Hull's pulling the rug out from under the audience again and again, until there's little reason to care about his characters or their fates. The pulpy, too-twisty six-part thriller (which aired earlier this summer in the UK on the Alibi channel) follows Baba's star-crossed romance with Freddy (Hermione Corfield), a young woman who delights in her ability to make her new boyfriend do terrible things to men who've wronged her. Those include their initial target, whose attempted sexual assault on Freddy was thwarted by Baba. Searching for the couple, also on the "hunt," are newly paired detectives Lola (Eve Myles) and Jackson (Babou Ceesay). Jackson's Ned Flanders-esque sunniness and storied background in internal affairs immediately brings out the retreating hermit in Lola — for good reason. She's got big secrets to hide, especially from a cop willing to tell on other cops, even if Jackson's unflappable cheerfulness makes him akin to a pair of blinding white sneakers just out of the box secretly begging to be dirtied up. Their gradually defrosting partnership, with each just a bit too condescending at the start, makes for a natural, though not particularly compelling, contrast to Baba and Freddy's volatile alliance. Unfortunately, the bulk of We Hunt Together is dedicated to the stubbornly underwritten Baba and the only theoretically intriguing Freddy. The latter is meant to be a smug mastermind, but in nearly every episode, she makes the kind of basic mistakes even a casual viewer of crime procedurals would know to avoid, like letting the detectives questioning her know that she believes herself to be smarter than they are. Frequent flashbacks to Freddy's teenage years (with Freya Durkan playing her younger self), when she was sent away by her parents after an unspecified tragedy, suggest there might be a righteous if morally compromised logic to her targets — a promise of thematic complication that's undermined by another ostensibly shocking reveal. At least Corfield, unlike her co-stars, gets enough layers in her character for a memorably multi-dimensional performance. In contrast, the characterization of Baba is a lurid letdown, his trauma mostly an excuse for hallucinatory jump scares and a convenient efficiency in his and Freddy's killings. Admittedly, We Hunt Together isn't striving for a sensitive depiction of the rehabilitation of ex-child soldiers. But for a character who's seeking redemption for his past actions, he's bizarrely willing to compromise his ethics — or risk his immigration status — for a woman he's just met, especially one as obviously disturbed as Freddy. Despite the best efforts of Corfield and Ola, as well as series director Carl Tibbetts' gorgeously haunted London, Baba and Freddy's neon-lit affair never quite gels, which makes the later episodes, in which their feelings for each other are harshly clarified, particularly numbing. Tibbetts reliably wrings suspense out of individual scenes, but after just a few episodes, the tension between wanting this harebrained Bonnie and Clyde to be caught and to be free had completely dissipated. All the fluorescent pinks and purples in England can't cover up the haze of indifference that remains. Cast: Babou Ceesay, Hermione Corfield, Eve Myles, Dipo Ola, Kamara Abraham, Freya Durkan Premieres Sunday, Aug. 10, at 10 p.m. ET/PT on Showtime

Coming on the heels of Netflix's 'Jeffrey Epstein: Filthy Rich,' Lifetime's new four-hour doc about the wealthy sex trafficker gives voice to survivors and follows the story through Ghislaine Maxwell's arrest. "There's no strength in being quiet. Your strength is in your voice." Those words come from Chauntae Davies, a survivor of sex crimes perpetrated by Jeffrey Epstein, speaking as one of the featured figures in Lifetime's two-night, four-hour documentary Surviving Jeffrey Epstein. Davies clearly makes the case here for why there's no harm in Surviving Jeffrey Epstein arriving less than three months after Netflix's Jeffrey Epstein: Filthy Rich, another four-hour documentary (as in, four hours without commercial padding) about the wealthy financier and his decades of sexual assaults and sex trafficking — also with Davies among its central heroines. Honoring and giving a platform to survivors, amplifying voices that for years were silenced or marginalized, is an absolute good that goes well beyond any qualitative evaluation of either series. Having both series out there and available, empowering so many survivors who remain young women, is in all ways important. But if you watched Jeffrey Epstein: Filthy Rich, are there still reasons to watch Surviving Jeffrey Epstein? If you're fascinated by the story, should you pick one or the other or both? That's a more complicated question. Especially on much of its first night, Annie Sundberg and Ricki Stern's Lifetime doc is close to interchangeable with Filthy Rich. The focus is primarily on survivors of Epstein's cycles of assault in Florida, using probably two-thirds of the same interview subjects — survivors and their crusading attorneys — for a comparable narrative establishing the power Epstein wielded and how he used it to prey on young women from lower-income parts of Palm Beach, detailing his predatory patterns and tracing the tragic backstories that made some of the survivors particularly vulnerable. Filthy Rich featured more survivors from this particular period of Epstein's criminality and more figures from the Florida legal community, making for a fuller exploration of the repugnant 2008 plea deal orchestrated by former Labor Secretary Alex Acosta under shady circumstances. If Surviving Jeffrey Epstein has an advantage in that first night, it's in better fleshing out the so-called "sexual pyramid scheme" with Epstein and Ghislaine Maxwell at the top. Sundberg and Stern are far better sourced in Epstein's Manhattan backyard — they directed last year's The Preppy Murder as well — and, as a result, they're able to explore his targeting of aspiring models, as well as the contributions of the four named co-conspirators from that 2008 plea deal. In many ways, seeing how complicated and tiered an infrastructure Epstein's operation was built around only adds to the horror; each recruiter, each intermediary introduces a new layer of betrayal and, in some cases, victimization. It's in the second night that Surviving Jeffrey Epstein begins to really differentiate itself from Filthy Rich, eschewing a lot of the tawdry details that the Netflix doc dedicated time to — and that, if we're being honest, some viewers will want and be disappointed not to have. Surviving Jeffrey Epstein offers no speculation at all on the nature of Epstein's death, and it's weakly sourced on the salacious details coming from Epstein's private island. The filmmakers avoid any direct implications about any of the rich and powerful people under Epstein's sway other than Prince Andrew, accused but not on-camera, and Alan Dershowitz, who probably needs to learn to say "No" to some of these documentaries, because he once again fails to do himself any favors with anything he says. Sundberg and Stern were deep into editing in July when Ghislaine Maxwell was arrested on sex trafficking and perjury charges, and while I can't say what material was scrapped from the original cut to make it possible, the documentary becomes much more focused on Maxwell as a result. Maxwell's incarceration has opened another door for the survivors to get legal justice — an opportunity thwarted by Epstein's death — and there's a greater willingness on all parts here to delve into Maxwell's psychology and complicity. This brings new, nightmarish nuance to a story that could otherwise be built around Epstein as a smirking bogeyman. Those Manhattan connections, including several former friends and acquaintances of Maxwell's, make for a more rounded perspective. Surviving Jeffrey Epstein also boasts a clearer call to action — especially as it relates to survivors' desire to push for legislation to change statute of limitation laws when it comes to sexual abuse of minors. (Lawyers and psychologists offer insight into the failure of current laws to understand why victims often remain silent for so long). The call to action is the best justification for why this documentary, even with its changing focus and the ongoing nature of Maxwell's proceedings, was rushed to air for what has now become a semi-arbitrary date timed to the first anniversary of Epstein's death. The rush — the documentary contains interviews and news reports from things that happened just weeks ago — results in some real narrative unevenness that probably would have been smoothed out if a premiere could have been pushed to September. (Maxwell is introduced on the first night as an accomplice and then the second night as more of a demonstrable perpetrator.) Heck, by pushing this to September, Surviving Jeffrey Epstein might have become Surviving Ghislaine Maxwell. Some of the production's liabilities wouldn't have been correctable. Like Filthy Rich, Surviving Jeffrey Epstein suffers from a limited visual scope, so the same childhood pictures of the survivors are utilized over and over again, as is the notorious shot of Epstein, Maxwell, Donald Trump and Melania Trump (an association Sundberg and Stern can't capitalize much on, though at least they now have Trump's "I wish her well" press conference answer to drive home that relationship). Ultimately, Surviving Jeffrey Epstein is, like Filthy Rich, an admirable tribute to survivors and an opportunity for some measure of catharsis. It's also constrained by legal considerations when it comes to approaching Epstein's network — and by being unable to anticipate what will or won't come from Maxwell's current legal situation. That all means that the next four-hour Epstein documentary should be heading our way next year. Airs Sunday, August 9, and Monday, August 10, at 8 p.m. ET/PT on Lifetime.

Japanese manga publisher Shogakukan has asked Google to remove a Dictionary.com page for the word 'magi' from its search engine. While Magi is the name of a popular manga comic, it also refers to the Bible's three wise men. Something Shogakukan should know, as the company also publishes dictionaries. The popularity of pirated comics is a thorn in the side of many publishers. Manga publishers, in particular, are faced with a constant stream of infringing copies. This includes the Japanese company Shogakukan, which is part of the Hitotsubashi Group and publisher of many prominent manga magazines. To curb online piracy Shogakukan uses various anti-piracy tactics, ranging from full-fledged copyright lawsuits to sending DMCA takedown notices. The latter are often directed at Google, which is asked to remove links to pirate URLs. Over the past several years, the publisher has asked Google to take down more than 1.5 million links from over 3,000 different domains. In most cases, these URLs indeed point to infringing content, but that’s certainly not always the case. This week we stumbled upon a DMCA notice where Shogakukan’s anti-piracy partner Comeso asked Google to remove a page from Dictionary.com, one of the largest online dictionaries. Apparently, the page for the word ‘magi’ is seen as copyright-infringing. https://torrentfreak.com/images/magi-takedown.png Magi is the name of a manga comic from the publisher, which is likely why it was targeted. However, magi is a proper word as well, referring to the Bible’s three wise men, among other things. The dictionary.com page has nothing to do with the comic. This is something Shogakukan should know as the company is also a publisher of dictionaries itself, which makes the takedown notice stand out even more. That said, everyone can make mistakes. Shogakukan is not the only rightsholder to slip up. In fact, it’s not the only one to target Dictionary.com either. On the same day that the anime publisher’s takedown notice appeared, JTBC asked Google to remove the dictionary entry for ‘noblewoman,’ because it’s similar to the name of the Korean TV-show The Noblesse. And earlier this year, a request sent on behalf of Embankment Films targeted the term ‘submergence,’ alleging it infringed on the copyrights of the similarly named thriller movie from 2017. While it’s worrying to see that these obvious mistakes are still commonly made, the good news is that Google is adept at catching these errors. The search engine appears to have a whitelist for non-infringing domains. Perhaps that’s something copyright holders and their anti-piracy agents should consider as well? Source: Torrentfreak.com

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Backup Tracker Please note that we now have ***** as the backup tracker domain for *****. You can change to the backup domain if you experience any long term connection issues. You can also switch to the backup domain as the default tracker for future downloads at user panel›web site settings›default tracker. Please note this won't affect your current missions.

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Google Translation: We are looking for uploaders!! Dear Users! We are looking for Uploaders and Extreme Uploaders. If you have enough time and a commitment to fill the post, do not hesitate The conditions Extreme Uploaders - Users who undertake to upload 14 torrents per week at an upload speed of 5 Mbit/s. The criteria for applying for uploader is to upload a minimum of 15 flawless torrents. They can use 75 slots. Uploaders - Users who agree to upload 7 torrents per week at an upload speed of 1 Mbit/s. The criteria for applying for uploader is to upload a minimum of 15 flawless torrents. They can use 35 slots. Apply and more info about the rewards at the link below at Staffdesk Apply Contact them with confidence or if you have any further questions! Furthermore we also provide a server on demand, under the following conditions! - can only be used on our site here - the source page is only allowed to download or the source page is redistributed. - According to the rules, the torrent on the source page must be deleted after a ratio of 1.0. - cannot be used elsewhere for ratio correction - minimum uploaded torrents 25 per week -Important- Do not give server access to another person! It entails exclusion. The number of spots is limited!! You can apply at the links below!! here ------------------------------------------------ Shoutbox!! https://kepkuldes.com/images/7c4e4b1...4d05184.md.jpg Chat COME JOIN http://microbit.eu/shoutbox.php Click on the image above!!

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When pirate sites agree to settle lawsuits, these cases tend to disappear into the night. However, when stream-linking site 66Stage agreed to pay Disney $500K in 2010 for linking to pirated movies on Megavideo and other sites, the movie company expected to get paid. A decade on, it appears that Disney has a very long memory. Every year, movie and TV show companies, broadcasters, and other rightsholders take legal action against pirate sites. This action can take various forms, from threats that result in private settlement agreements to full-blown lawsuits. In some cases, litigation can drag on for years, with a tendency to prove both costly and damaging to those who lose the fight. In most cases, these are the operators of unlicensed sites who initially put up a fight before being overwhelmed with costs and subsequent damages awards. Another option, when it’s available, is to settle cases with the plaintiffs relatively early on. This is what happened in a lawsuit filed by Disney Enterprises and Universal City Studios against indexing site 66Stage.com back in 2008. 66Stage was a One-Stop-Shop For Piracy Filed in a California court, the complaint described 66Stage as a “for-profit ‘one-stop-shop'” for infringing copies of the plaintiffs’ movies including Finding Nemo, Mulan, Pirates of the Caribbean: At World’s End and several others. “Defendants own and operate the website www.66stage.com…whose purpose is to promote, facilitate, aid and abet, and profit from the infringement of Plaintiffs’ copyrighted works,” the complaint alleged. “Specifically, Defendants post, organize, search for, identify collect and index links to infringing material that is available on third-party websites (including, for example, the third party website Megavideo.com).” As this image from the Wayback Machine’s archives shows, 66Stage acted as a front-end to hosting sites like Megavideo, which was later dismantled as part of the Megaupload raids early 2012. https://torrentfreak.com/images/66stage-2009-ss.png Disney and Universal identified Nasri Faical as the person behind 66Stage, noting that he was a citizen of Morocco who at the time was living in Japan. According to the amended complaint, his site offered thousands of links to hundreds of motion pictures released in 2008 and 2009, with new content being added all the time. As a result, the plaintiffs alleged contributory copyright infringement and inducement of copyright infringement, plus aiding and abetting copyright infringement under the Copyright Act of Japan. The docket reveals that the case went through the motions until August 2010, at which point it was revealed that the parties had agreed to a consent judgment to settle the case. $500,000 Settlement Agreement That agreement didn’t come cheap. Faical agreed to a global injunction preventing him from running 66Stage or any similar site, being involved in any activity that infringed the plaintiffs’ rights, and/or participating in any marketing or advertising program designed to drive traffic or generate revenue from infringement. With that, Faical agreed to pay Disney and Universal $500,000 in damages for copyright infringement. He also agreed to be bound by the orders of any other court in the world “with competent jurisdiction” to enforce the consent judgment. https://torrentfreak.com/images/66stage-consent.png Whether this significant debt is still on the mind of Faical is unknown. However, if carefully waiting it out was indeed on his agenda, this week the former site operator would’ve been holding his breath. According to the California courts website, money judgments have an expiry date – 10 years to be precise – and the deadline was this week. A Decade On and Disney’s Time Was Running Out “Money judgments automatically expire (run out) after 10 years. To prevent this from happening, you as the judgment creditor must file a request for renewal of the judgment with the court BEFORE the 10 years run out. If the judgment is not renewed, it will not be enforceable any longer and you will not be able to get your money,” it reads. Given that the consent judgment was signed off by the judge on August 5, 2010, Faical would not have owed Disney a penny if ten years were allowed to pass without the company taking further action. As it happens, however, it Disney’s lawyers were absolutely on the ball. This week the company filed the necessary paperwork to keep the matter and the substantial debt alive, just a day before Disney would’ve had to wave goodbye to $500K and Faical would’ve been a ‘free’ man again. “There have been no payments received from any of the Defendants towards the Judgment, through the judgment enforcement process or otherwise. Accordingly, the total amount due to Defendants under the renewed judgment is $500,000.00,” the renewal of money judgment reads. Like Dumbo, it seems, Disney never forgets. The original amended complaint, judgment and renewal can be found here (1,2,3 pdf) Source: Torrentfreak.com

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