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While it was previously thought that Quentin Tarantino’s Star Trek film would involve an entirely new cast, actor Zachary Quinto has indicated that the project might actually bring back the cast from J.J. Abrams’ Star Trek films. Quinto has been involved with the most recent string of Star Trek films in the Kelvin Timeline as Spock since Abrams’ first film back in 2009. The star is a regular source of updates on the franchise and often provides important looks into where the Kelvin Timeline is going. It was first announced back in 2017 that Tarantino was considering a Star Trek film. The news caused quite a bit of excitement and debate amongst Trek fans, with some claiming that the filmmaker’s unique style would bring some new, bold energy to the franchise, whereas others argued the director was a completely inappropriate choice and did not fit Star Trek at all. Franchise star Simon Pegg himself was skeptical of the news, once saying that the Tarantino choice was "an odd thing to do." Even though a good amount of time has passed since the initial announcement, no concrete storylines or plans have been floated and the project itself has not yet officially been confirmed. Earlier this year, Paramount hinted that another film besides Star Trek 4, the sequel to 2016’s Star Trek Beyond, was being developed, which could have been a veiled confirmation of Tarantino’s film. With his most recent comments, Quinto has certainly indicated that the Tarantino-led Star Trek is coming into fruition. When asked about any details concerning the Tarantino film, Quinto said that he’s under the impression that it will involve the Kelvin timeline crew. “My assumption is that it is with us. That is how it has been presented,” Quinto said on MTV's Happy Sad Confused podcast (via TrekMovie). When asked for any more information, the star responded: “You know, until deals are done and contracts are signed and schedules are cleared, nothing is set in stone, so anything can happen. My understanding is Quentin had this idea and they were shaping it and forming it and he is off to do his Manson movie. And it would be after that, that we would go maybe do one with him. Which is pretty exciting, pretty cool.” If Abrams’ cast returned, it would confirm that Tarantino’s Star Trek is set within the Kelvin timeline. Early reports surrounding Tarantino’s film claimed it would be a stand-alone entirely separate from Abrams' Star Trek films, but Quinto’s latest statements appear to correct this and suggest that it would be connected to the Kelvin timeline, after all. Even if the Tarantino project falls through, Quinto is just happy to be able to continue playing his character with Star Trek 4. At the moment, Star Trek 4 will be directed by S.J. Clarkson, who has previously worked on episodes of Jessica Jones and The Defenders, and will be first woman to direct a Star Trek film. Tarantino is currently knee-deep on his next film, Once Upon a Time in Hollywood, a crime thriller set in Charles Manson-era Hollywood. The director is busy at the moment, as is the Star Trek cast according to Quinto. Importantly, the actor’s comments stressed that nothing is set in stone at the moment. The fate of Tarantino’s Star Trek film continues to hang on a delicate thread, and fans will have to hope that all of the various factors going into a film’s production line up correctly so that Tarantino’s vision of the Trek universe can finally come to life.

The first trailer for the upcoming Summer of ’84 is another example of how the ongoing wave of ‘80s nostalgia isn’t anywhere close to being over. In what looks to be a mashup of recent ‘80s-set hits like Stranger Things and IT, the new film eschews the supernatural formula for something a little more grounded — serial killers. And while bike-riding kids in a small town on the hunt for a local killer is a great hook for any movie, the trailer for Summer of ’84 is all about recreating a bygone era on the big screen. Written by Matt Leslie and Stephen J. Smith, and directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell, who collectively go by the name RKSS and previously directed Turbo Kid. The film heads down a familiar path, as a group of young friends, played by Graham Verchere, Judah Lewis, Caleb Emery, and Cory Gruter-Andrew pass their long, carefree days aways from school and the concerns of adulthood by hunting a local serial killer, dubbed “The Cape May Slayer.” As you can see from the trailer and the paranoia-inducing tones of its eerie synth-pop score, Summer of ’84 goes all-in on familiar character archetypes, starting with Verchere’s Davey Armstrong, the resident conspiracy theorist of the group and the one who is convinced local policeman Wayne Mackey (Mad Men and GLOW's Rich Sommer) is the killer in question. The rest of the group is similar in that regard as the other teens, along with Nikki Kaszuba (Tiera Skovbye) “scientifically the perfect woman,” are all fitted easily into archetypal slots. It will be interesting to see how audiences respond to the trailer — let alone the movie — in a post-Stranger Things world. That Summer of ’84 will hit theaters later this summer may have been a factor in its corner had IT not made waves in theaters just about a year ago, utilizing many of the same tropes this film is so keen to make use of. So far, though, it doesn’t seem as if audiences are tiring of ‘80s nostalgia, as anticipation for season 3 of Stranger Things continues to be high, while IT was a smashing success in 2017. Whether such fondness for a decade will translate into Summer of ’84 becoming a hit or not remains to be seen, but with the film premiering this August, it won’t be long until the answer is known. Summer of ’84 hits select theaters on August 10, 2018.

Samuel L. Jackson posted an image of his t-shirt online, which may have just given fans their first glimpse at Brie Larson's helmet in Captain Marvel. So far, Captain Marvel's MCU costume has been something of a closely-guarded secret, despite fans already knowing what she will look like... mostly. Set photos have shown Larson's Carol Danvers wearing a green outfit, one that's clearly inspired by the Kree uniforms from the comics. But concept art Larson's Danvers - and not to mention the recently leaked promotional material for Avengers 4 - has made it clear she'll ultimately don a far more comic-book-accurate uniform, but one that is still somewhat unique. The most significant leak to date, though, is a post from Samuel L. Jackson on Instagram. Jackson has proudly posted a t-shirt that's apparently been worn by the VFX team, and it looks as though he's got one too. Unlike all the concept art to date, however, this shows Carol Danvers wearing a helmet/mask. Take a look: In 2012, Marvel Comics relaunched the character of Carol Danvers. Kelly Sue DeConnick came up with the idea of having Carol embrace the mantle of Captain Marvel, and her costume was redesigned - at DeConnick's request - by Jamie McKelvie. McKelvie designed a costume that reflected Carol's military background, while carefully weaving in homages to her traditional looks. One of the highlights was a smart, retractable helmet that Carol wore in space, designed to be reminiscent of Kree helmets. The MCU costumes that have been seen so far are clearly inspired by this relaunch, so it's always seemed likely there'd be a retractable helmet as well. It's important to note that the costume on Jackson's t-shirt is not one lifted from the comics. It corresponds with the concept art Marvel released last year, and has subtle differences with the comic book version. Note the gap above the star; that's not lifted from any of the comic book designs. So this t-shirt is the first image that shows what Captain Marvel's helmet could look like in the MCU. Marvel Studios president Kevin Feige recently revealed that the first trailer for Captain Marvel won't release for another few months, so it seems Marvel is still trying to figure out the timing of marketing for Captain Marvel; the film is their first March release, meaning there isn't a precedent for Marvel Studios. It's likely that trailer will be the first time fans actually see the costume in all its glory, and both versions may be revealed - with and without the helmet raised.

Despite roaring out of the gate last Friday, dinosaur sequel Jurassic World: Fallen Kingdom has suffered a massive box office drop in weekend two. Considering that the first Jurassic World film is one of the highest-grossing films in history - #5 on the chart with nearly $1.7 billion, right behind Avengers: Infinity War - it was absolutely fair for observers to expect the same type of box office dominance from its sequel. Unfortunately, that might not end up being the case. Now, that's not to say that Fallen Kingdom is doing poorly overall, because it most certainly isn't. The film crushed the box office during its domestic opening weekend, earning nearly $150 million. A sky-high international sales total has so far added on over $600 million to that haul, leading to a total worldwide gross of $826.5 million. That's definitely an impressive stat, but it's also telling, as Fallen Kingdom's domestic opening was down nearly 30% from its predecessor. Foreign ticket sales might help shore up Fallen Kingdom in the end, but the chances of it equaling or surpassing Jurassic World's $652 million domestic take are looking slim. Now, Exhibitor Relations has tweeted out a surprising fact: Fallen Kingdom only earned $17.4 million on Friday. That's a staggering 71% drop from last week's Friday total of $58.5 million. While this kind of huge drop does sometimes happen - for example, Solo: A Star Wars Story sustained an enormous 77% Friday-to-Friday drop in May - it's definitely not encouraging. While Jurassic World: Fallen Kingdom is still projected to easily take #1 again domestically this weekend - with a total of around $60 million - that's also not really an encouraging stat overall. Assuming the projections hold out, that'll be a 59% weekend-to-weekend drop, much higher than the first Jurassic World's 49% drop from weekend one to weekend two. Things start to look even worse when one considers that Jurassic World's domestic opening weekend take was $208 million, much higher than Fallen Kingdom's domestic opening. All in all, while high overseas grosses will likely once again lift Universal's sequel well over the $1 billion mark, Fallen Kingdom will probably come up short of topping Jurassic World's worldwide take as well. A couple of factors that likely contributed to Fallen Kingdom's second weekend plunge are that it's pre-July 4 weekend in the states, and that the sequel's critical notices haven't exactly been impressive. While the actual July 4 holiday isn't until Wednesday, lots of Americans are already on vacation for the event, and this would be far from the first time that said exodus led to an underwhelming weekend for the box office. Still, that's hardly a rule, as many films have done well around the holiday. On the critical side, Fallen Kingdom earned a 51% on Rotten Tomatoes, much lower than Jurassic World's 71% score. Thus, it's definitely possible that many who hesitated to see the film opening weekend ended up discouraged by reviews. One wonders what this downward trend for the franchise means for 2021's Jurassic World 3.

Jon Kasdan confirms he's writing the script for Steven Spielberg's Indiana Jones 5 in a new tweet. Earlier this week, it was reported that Kasdan, who co-wrote this summer's Solo: A Star Wars Story with his father, Lawrence Kasdan, was hired to write the latest draft of Indiana Jones 5 for Lucasfilm, thus meaning that the movie may not make its planned release date. The fifth installment in the Indiana Jones series was originally expected to release in 2020 but expected to be delayed amid news that screenwriter David Koepp has been replaced by Kasdan, who is now re-writing the film’s much-anticipated screenplay. Should the movie be released in 2021 instead, it will mark 40 years since Raiders of the Lost Ark - the first movie in the franchise - released in 1981. Perhaps that's the way Disney/Lucasfilm wants it. Shortly after news broke that Kasdan would be writing the script, a Twitter user asked the screenwriter if it was true or not. Kasdan’s reply was pure gold as he used a quote from Raiders to make his point, explaining that Lucasfilm has “top men” working on the screenplay. Fans may recognize the quote from the end of the film, as Indy inquires about what was to become of the Ark of the Covenant. Major Eaton replies that they have “top men working on it." Take a look: It is somewhat fitting that Jonathan Kasdan is following in the footsteps of his father, Lawrence, seeing as his father not only wrote the screenplays for The Empire Strikes Back and Return of the Jedi, but also for Raiders of the Lost Ark. And seeing the story Jonathan turned in for Solo: A Star Wars Story perhaps convinced Lucasfilm to hand the script's reins over to him. After all, he already has some experience writing for another one of Harrison Ford's iconic characters. What's more, Koepp wrote the script for Indiana Jones and the Kingdom of the Crystal Skull, and that didn't turn out the way the studio wanted. This is a good way to get a fresh set of eyes on the franchise - and the character, for that matter - before potentially calling it quits altogether. At the moment, it's unclear which direction the story will take, plot-wise and whether or not it will conclude or set up the future of the franchise. This might very well be Ford's last movie, considering his age and how long these films take to develop, so Kasdan may either try to bring Indy's story to a fitting end or lay the foundation for another actor/character to continue the saga down the line.

Having three films per year allows Marvel Studios to continue expanding their brand by introducing new franchises without compromising their established properties. Superhero movies and franchises are currently the bread and butter of Hollywood. And, while over the last few years, other companies have attempted to set-up their own cinematic franchises, Marvel Studios remains on the top spot. With a brand new chapter set to begin for the MCU after next year's Avengers 4, the famed cinematic universe is showing no signs of slowing down producing three movies annually. Upping their movie production from two to three projects last year with Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming and Thor: Ragnarok, 2018 is only the second year to the follow this new establishing the new quota. Apparently, more than just wanting to increase their yearly turn-out, there's actually a deeper logic for this decision. Speaking with CinemaBlend, Marvel Studios president Kevin Feige explained how the three movies per year arrangement allows the MCU to introduce new franchises without the risk of forgetting about their existing ones. "It's one of the reasons we've expanded to three films a year, is so that we could do the sequels to films that people have responded to -- because we love to make continuing stories with characters people have responded to -- but also keep doing the stuff that nobody's ever heard of, and people go, 'Why are you doing that?' That's fun. And that's what Phase One was built on, Phase Two was built on, Phase Three was built on, is having that... Whenever we announce the next year, two years, three years, five years, whatever we're going to announce, there will be plenty of those that, maybe people in the know like yourself will know what they are, but the world at large will go, 'What is it? Why are they doing that?' That's exciting, for sure. "When you've got, what is it now, six, seven separate franchises? It's part of the scheduling process. Sometimes when people ask, 'What about this character, what about that character?' I go, 'Well, it's scheduling.' And they go, 'What's he talking about?' Scheduling. How many years between movies can you have? You know, [Thor:] Ragnarok was four years. There's four years between, right? He had an appearance in between there. So that seems to be maybe okay - sometimes, though, you want it to be less. Sometimes it can be more." Often overlooked, Marvel Studios' scheduling scheme is actually a huge a factor in the MCU's success as it allows all sub-properties to develop without leaving any of them behind. This is why event movies like the Avenger films continue to be exciting as it serves as mini-culminating events that reunite all heroes and introduce them to new ones after they all finish their own respective missions. While some may argue that having three superhero films a year from a single studio might be an overkill, which could result in fatigue, the franchise attempts to combat that by switching things up in terms of genre. As examples, Captain America: The Winter Soldier was a political thriller movie, Ant-Man was a heist film, Ragnarok was an intergalactic road trip, Black Panther was a mix of political and family drama, and Homecoming was a coming-of-age story. As the company's third and final movie of the year, Ant-Man & The Wasp, inches near, it's almost hard to believe that the Disney subsidiary already has two smash hits in Black Panther and Avengers: Infinity War with still six months left in 2018. But fans can expect that this scheduling will continue to be the case moving to MCU's Phase 4 with three more flicks already on the docket for next year: Captain Marvel, Avengers 4 and Spider-Man: Far From Home.

Avengers 4's much-discussed title may have been leaked as "End Game." Two months after Avengers: Infinity War hit theaters, Marvel fans are now scouring the internet for any clues about next year's still-untitled movie. While Kevin Feige and his team are doing their best to make sure that there won't be any leaks, it seems like one of their own may have unintentionally revealed the Phase 3 capper's title. The film's title is being kept as secret as its plot, but fans can't be stopped from speculating - especially since it's presumed that the main reason why it's being held back is because it could give away too much. For some time Infinity Gauntlet was among the most popular guesses out there, while directors Anthony and Joe Russo have revealed that Avengers: Forever is the closest Avengers 4 guess they've heard so far. Opaloch's official website includes a rundown of all the projects he's worked on, and Omega Undergound spotted Avengers: End Game on the list, prompting people to assume that it might just be the clamored title. While this isn't a confirmation, Opaloch is a frequent collaborator with the Russos, having worked on all three of their previous Marvel movies of the duo, and it is possible (though admittedly somewhat unlikely) that he wasn't aware the movie's title was deliberately being kept secret. Update: In response to the news coverage, Opaloch has now removed End Game from his website. It would make sense for Avengers 4 to be subtitled "End Game," considering that this was the phrase uttered by Doctor Strange to Tony Stark after giving Thanos the Time Stone. In fact, back in April, we theorized that this could be the title, given the emphasis on the words in Infinity War. It's important to remember that since the Sorcerer Supreme peeked through time and saw the only way that the heroes can win against Thanos, he appeared less agitated about their predicament - most likely setting things in motion so that the fight can ultimately end with Thanos' defeat. Even when in horrifyingly disintegrated into dust, he looked prepared - as if he was anticipating the deadly snap to happen. Should Avengers 4's title really be "End Game," it will be interesting to see how Feige decides to deal with this leak given that he's just recently stated that the movie's title wouldn't probably be revealed until the end of the year, when the marketing push begins. He's already admitted that withholding the title has backfired for them, given how big a deal has been made of it by fans. Perhaps it would be best for Marvel to come out and officially announce the title instead of maintaining this silence.

New fan art for The Incredibles 2 has surfaced online, depicting the characters in a much grittier tone than that of the animated Pixar films. Warrick Wong, an Australian concept artist, shared renderings of the film's characters this past week via Instagram. The Incredibles 2 released on June 15, already passing the $500 million mark at the worldwide box office in its second week. The long-awaited and much-anticipated sequel came fourteen years after its predecessor. Brad Bird’s follow-up to the 2004 hit was heavily delayed, before its release date was eventually shifted ahead of Toy Story 4, which itself was delayed to 2019. While the wait for The Incredibles 2 was agonizing for some fans, it seems the time spent in development was beneficial, given the film’s “Certified Fresh” rating on Rotten Tomatoes. On his Instagram account, Wong posted his concept art for a version of the Parr family much darker than audiences are used to. Wong shared a different piece of art every few days, beginning with a version of Jack-Jack that is far older than his infant counterpart from the movie. Since then, Wong also shared photos of Dash, Violet and Mr. Incredible. All the characters appear worn from battle, their red and black spandex torn and tattered. Each piece also showcases the characters’ respective superpowers. Noticeably absent from the photo set is Elasti-Girl/Mrs. Incredible, the star of the new film. Wong explains that in the alternate reality this art is set in, Mrs. Parr is “presumed dead” and Violet has become the new matriarch of the family. However, “presumed dead” could mean that Wong will surprise us with a gritty portrayal of Mrs. Incredible after all. As an illustrator, Wong has an impressive online portfolio that boasts renderings of characters from fandoms like Marvel and Star Wars. The Incredibles are also not his first gritty reimaginings, as he's previously drawn up intimidating interpretations of normally cute Pokémon like Squirtle and Pikachu. While it’s likely that we'll never see a dark, violent version of The Incredibles hit the big screen, it’s hard to deny that Wong’s fan art - and his extremely creative backstory behind it - is fun to behold and ponder. Pixar’s newest release is yet another huge hit for the studio. Given the first film’s release date, many who saw The Incredibles as children were likely excited to see the sequel as adults, which no doubt helped fuel its mammoth box office. The next film on the slate for Pixar is Toy Story 4, an entry in another franchise that has seen the lucrative value of nostalgia. However, only time will tell if the demand for that sequel will be as high as that of The Incredibles 2. If it is though, it'll be interesting to see if Wong draws similar gritty versions of Toy Story characters like Woody, Buzz, Rex, and Lots-o'-Huggin' Bear.